主演：布丽特·罗伯森,斯科特·伊斯特伍德,阿伦·阿尔达,杰克·休斯顿,奥娜·卓别林,梅莉莎·班诺伊,洛丽塔·大卫多维奇,艾丽·奥贝隆,凯特·福布斯,Tiago,Riani,丹尼·文森,海莉·洛维特,特雷西·邦纳,杰雷特·西尔斯,亨特·巴克
导演：小乔治·提尔曼
简介：卢克（斯科特·伊斯特伍德 Scott Eastwood 饰）是一名职业牛仔，他年轻气盛，身强体壮，充满了阳刚之朝气，周身散发着迷人的男性荷尔蒙气味。某日，卢克在一场牛仔竞技比赛中邂逅了名为苏菲亚（布丽特妮·罗伯森 Brittany Robertson 饰）的女孩，俊男美女之间，霎时间便燃起了熊熊的爱情的火焰。然而，他们一个是奔放粗犷的牛仔，一个是细腻文艺的大学生，性格上的差异和对未来的不同规划令两人之间的矛盾愈演愈烈，渐渐走上了两条不同的道路。就在此时，两人在一场意外之中解救了一位名为伊拉（杰克·休斯顿 Jack Huston 饰）的老人，在听闻老人讲述了自己和妻子露丝（奥娜·卓别林 Oona Chaplin 饰）之间浪漫而又伤感的爱情故事后，卢克和苏菲亚对他们的感情重新燃起了希望。
主演：米歇尔·莫纳汉,詹姆斯·麦斯登,卢克·布雷西,丽亚娜·莱伯拉托,杰拉尔德·麦克雷尼,卡罗琳·古多尔,克拉克·彼得斯,塞巴斯蒂安·阿塞勒斯,乔恩·坦尼,肖恩·布里吉格斯,罗布·梅洛,亨特·巴克,伊恩·尼尔森,罗比·拉斯姆森
导演：迈克尔·霍夫曼
简介：道森（詹姆斯·麦斯登 James Marsden 饰）和阿曼达（米歇尔·莫娜汉 Michelle Monaghan 饰）曾经是一对情侣，两人交往多年，感情十分要好。然而，来自家庭的反对和生活的变故令阿曼达渐渐远离了道森，而道森则在一场突发意外中失手杀人，锒铛入狱。得知了道森入狱的消息，善良的阿曼达前去探望，然而，自认为配不上阿曼达的道森避而不见，久而久之，阿曼达只能放弃。一转眼二十一年过去，道森出狱后成为了一名钻井工人，而阿曼达也寻得了如意郎君，嫁为人妇，可是，阿曼达的内心里依然思念着道森。一位故人的逝去让道森和阿曼达重新走到了一起，他们需要共同处理这位逝者的丧事。
主演：彭禺厶,朱佳希,谭渤霖,王莘迪,杨虓
导演：焦洋
简介：杨小伟（彭禺厶 饰）是一个典型的宅男，唯一擅长的事情就是打游戏。平日里交往的，也是性格和自己差不多的宅男朋友们，一群人似乎和大学校园无关，生活在属于他们的小小的虚拟世界之中。一次偶然中，杨小伟遇见了名为程诺（朱佳希 饰）的女孩，第一次知道了心动的感觉。可是，程诺是学校里的校花级美女，同时也是舞蹈社的社员，两人之间的差距一目了然。渤霖（谭渤霖 饰）是舞蹈社的社长，对初来乍到的程诺展开了热烈的追求。眼看着心爱的女孩就要成为别人的女友，杨小伟决定勇敢一次，他也加入了舞蹈社，一场浩浩荡荡的三角恋情就此拉开序幕。
主演：徐娇,林晖闵,刘若英,庾澄庆,桂纶镁,蔡淑臻,曾江,石锦航,李烈,陈玉勋,黄诗涵
导演：林书宇
简介：在人生最最纯然且充满想象力的几年里，13岁的小女孩谢欣美（徐娇 饰）都与爷爷（曾江 饰）在深山里度过。古朴的小木屋和静寂迷人的夜空，是她记忆深处最遥远和笃定的依恋。可是终于有一天小美要离开这里，她随着爸爸（庾澄庆 饰）妈妈（刘若英 饰）回到城市生活。繁华的都市五光十色，却无法带给她些许的归属与感动。与小美有着类似地感受的是频繁随着父母搬家与转学的男孩周宇杰（林晖闵饰），相似的境遇与心境让他们走到一起，成为最要好的朋友。某一天，小美的爸爸妈妈选择分手，而她也终于决定回到深山，带着她的好朋友小杰，一同去仰望那久违已久的星空……本片根据著名绘本画家几米的同名原著改编。
主演：乔尔·斯马尔本,比安卡·A·桑托斯,安伯·明迪桑德,吉姆·帕拉克,大卫·科恩查内
导演：Ben,Smallbone
简介：Desperately in need of money in hopes of regaining custody of his daughter, James (Joel Smallbone) embarks on a cross-country delivery for cash-no questions asked. But when he discovers what he is delivering is actually who, the questions in his mind begin haunting him mercilessly. James becomes an unlikely hero and must fight to save the innocence and lives of the two young wo...
主演：伊格纳西奥·罗杰斯,埃斯特万·马斯图里尼,Joaquín,Parada,布拉斯·菲纳尔迪·尼兹,Renata,Calmon,玛丽亚·梅利诺,马塞洛·索比奥托,Pablo,Cura,Mariana,Martinez,Felipe,Titto
导演：帕普·库里托
简介：马提亚斯（Ignacio Rogers 饰）和杰罗尼莫（Esteban Masturini 饰）是青梅竹马的邻居加好友，两人之间的感情非常的要好。随着年龄的增长，性方面渐渐觉醒的两人最终发生了逾越了友谊的关系，当这段关系被家长们发现后，马提亚斯的父亲带着儿子离开了小镇，马提亚斯和杰罗尼莫之后再也没有联系过。一晃眼十年过去了，马提亚斯早就经历了社会的“改造”，成为了普世意义中的“正常人”，不仅如此，他还结交了一位漂亮的女朋友。这一天，他带着女友重新返回故乡小镇参加嘉年华活动，哪知道在这里，他和杰罗尼莫重逢了。压抑已久的感情火山般的爆发了。
主演：伊戈尔·别特连科,阿尔焦姆·谢马金,阿列克谢·帕宁,阿列克谢·克拉夫琴科,阿马杜·马马达科夫,叶卡捷琳娜·武利琴科,Andrey,Egorov,Yuriy,Laguta,Anatoli,Gushchin,Sergey,Miller,Gennadi,Vorotnikov,Aleksandr,Efimov,Aleksandr,Naumov,Alexander,Diachenko,Oleg,Gushchin,Ivan,Kokorin,Aleksandra,Chichkova,Sergei,Ruzayevich,
导演：尼古拉·列别捷夫
简介：1944年，二战已接近尾声，在东部的苏德战场上，红军为了摧毁法西斯的最后抵抗，派出了以特拉夫金中尉（Igor Petrenko 饰）为首的七人侦察队，他们将要深入敌后，去摸清敌人的兵力部署。这次凶险的任务已经导致多名战士牺牲，但勇敢的侦察队员们毅然出发了，临行前，特拉夫金与通信兵卡佳（Yekaterina Vulichenko 饰）约定，用“星星”和“大地”作为彼此在电波中联络的暗号。侦察队顺利的潜入敌后，并陆续传回有价值的情报，意识到侦察队威胁的德军方面如临大敌，派出重兵封锁交通，导致侦察队蒙受巨大损失。特拉夫金面对失去战友跟电台的局面，却决定继续前行，完成自己最后的任务……本片获2002年翁弗勒尔俄罗斯电影节大奖等多项褒奖。
主演：役所广司,本木雅弘,松坂桃李,堤真一,山崎努,宫本裕子,神野三铃,木场胜己,木村绿子,小松和重,松山研一,户田惠梨香
导演：原田真人
简介：1945年4月，第二次世界大战接近尾声。日本方面，业已77岁高龄的铃木贯太郎（山崎努 饰）经天皇裕仁（本木雅弘 饰）的劝说，同意出任新一届的首相。在随后的组阁中，陆军大将阿南惟几（役所广司 饰）确认为陆军大臣的人选。在此期间，希特勒饮弹自尽，欧洲战场尘埃落定，日本站在了 历史的十字路口。以畑中健二（松坂桃李 饰）等少壮派军人为代表的主战派摩拳擦掌，等待和同盟国进行本土决战。政府高层方面则出于各种考虑，就是否终止战争进行激烈讨论。东京大空袭、《波茨坦公告》、长崎-广岛原爆。时间一分一秒流逝，各方势力的碰撞也到了关键时刻……
主演：二阶堂富美,长谷川博己,富田靖子,利重刚,上田耕一,石桥莲司,奥田瑛二,工藤夕贵
导演：荒井晴彦
简介：故事发生在1945年，残酷的战争走向了尾声，日本颓势尽显，街头一片萧条。十九岁的里子（二阶堂富美 饰）和母亲茑江（工藤夕贵 饰）过着相依为命的生活。呼啸而来的轰炸机，飞速上涨的物价，永远空空荡荡的餐桌和填不饱的肚子，战战兢兢的生活，里子和茑江在夹缝中艰难的生存着。银行行长市毛（长谷川博己 饰）住在母女家的隔壁，他喜欢拉小提琴，优美的琴声往往会使母女两人暂时忘记残酷的现实。市毛的妻子身处乡下，他自己独自留在东京，里子有时会去市毛家干些家务，一来二去之间，两人竟然生出了情愫。残酷的战争之中，面对短暂而难得的温情，两人都无法放开紧紧相拥的手臂。
主演：奥马尔·沙里夫,朱莉·克里斯蒂,杰拉丁·卓别林,罗德·斯泰格尔,亚历克·吉尼斯,汤姆·康特奈,西沃恩·麦克纳,拉尔夫·理查德森,丽塔·塔欣厄姆,杰弗里·罗克兰,塔雷克·沙里夫
导演：大卫·里恩
简介：幼年丧母的日瓦戈（Omar Sharif 饰）被过继给母亲的朋友，自此与继母一家的小女儿冬妮娅一同成长，并顺利修完医学专业，成为了一名优秀的医生。在另一条平行的生命线上，出生于裁缝之家的拉娜（Julie Christie 饰）正是十七岁的金色年华，母亲的情人维克多不时骚扰她，热衷于工人革命的未婚夫帕夏更让拉娜日日为其担忧。在工人运动风起云涌的日子里，日瓦戈目睹了当局对工人的残酷镇压，拉娜则因帕夏被卷入工人运动而遭到维克多的玷污，由于维克多的关系，日瓦戈与拉娜的人生终于汇合，在不久后混乱的一战中，他们终于不顾各自的伴侣陷入了热恋……不久布尔什维克掌握政权，返回家乡与冬妮娅团聚的日瓦戈发现生活却每况愈下，以至他们不得不远赴乡村谋生，岂料在遥远的北方村落，日瓦戈再次与拉娜相遇……本片根据Pasternak的同名小说改编，获1966年奥斯卡最佳美术指导、最...
主演：奥布瑞·普拉扎,帕克·波西,连姆·艾肯,罗伯特·约翰·伯克,马丁·唐文,比尔·萨奇,詹姆斯·乌尔班尼亚克,洛伊德·考夫曼,吉娅,克罗瓦丁,凯伦·西拉斯,杰弗森·梅斯,克里斯蒂娜·鲁纳,John,Conlee,鲍勃·拜因顿,迈克尔·温·古查多,汤姆斯·杰·瑞恩,乔丹·西奥多,马克·达蒙·约翰逊,Andrew,Weems
导演：霍尔·哈特利
简介：《内德的步枪》是三部曲的最终章，前两部分别是《傻子亨利》(Henry Fool)和《国家密码》(Fay Grim)，为以另类眼光看美国社会的边缘提供了一个恰到好处的结尾。在这部电影中，Henry（Thomas Jay Ryan 饰，《傻子亨利》片中角色）和Fay（Parker Posey 饰，《国家密码》片中角色）也出现了，但他们变成了一幅画像，慈爱地看着他们的儿子Ned，Ned今年十八岁，最近才刚从证人保护计划中释放。尽管基督教徒从他的养父-一个教堂牧师手中接过他抚养，但Ned还是设定了报仇的目标：杀死他的父亲，因为那个人毁了他母亲的生活。当这个严肃又端庄的年轻人开始他的复仇之旅，他很快就发现自己进入了典型的哈特利式的异端分子的团伙中……
主演：李清娥,洪宗玄,朴庆惠,李惠兰,朴智彬,朴智一,吴贤重,金诺珍,朴昭怡,金周灵,朴成俊,金民尚,金仁权,金英在
导演：郑用柱
简介：恩祖（李清娥 饰）和女儿过着相依为命的生活，然而，一场可怕的事故将这她生命里唯一重要的东西也给夺走了，女儿的离开让恩祖彻底丧失了对于生活的热情和信心。这一天，当恩祖从睡梦中醒来时，本以为又将迎来绝望的一天的她震惊的发现，时间竟然倒流回了前一天。从这一天起，恩祖每一天起床，都会发现时间倒退了一天，这诡异的现象反而给予了恩祖希望。这一天，恩祖遇到了一个名叫浩民（洪宗玄 饰）的男人，很显然，这个男人和发生在恩祖身上的奇怪现象有着千丝万缕的关联。恩祖能否抓住这唯一的机会，让自己的生活重回正轨呢？
主演：高娜恩,仁青顿珠,郑昊,索朗措,丹增卓嘎,宋明
导演：戴玮
简介：冈拉梅朵是西藏的一朵花、一幅画、一首歌、一间酒吧、一个女人的名字；冈拉梅朵是流传了半个多世纪前的一段凄美动人、寻找与错过的爱情故事。从北京来的美丽孤傲的录音师安羽在拉萨的第一夜阴差阳错地投宿到藏族鼓手阿扎家，引出一段奇异的情缘。曾经因一曲《冈拉梅朵》红遍全国的著名女歌手在突然失声从歌坛悄悄消失后，做了录音师的安羽，从声音的传唱者变成了声音的记录者和聆听者。她被西藏的一个歌声，湖边的一个幻像召唤，执拗地前往遥远的西藏神湖寻找那神秘歌声，沿途录下西藏大地的天籁之音，踏上了一程充满神秘和未知的音乐朝圣之旅。与她结伴而行具有奇幻般魔力的鼓手阿扎一路上不断和她产生冲突和摩擦，俩人怀着各自的梦想和目的，几番分分合合，既难以相处又难舍难分，殊不知两个人的命运在冥冥之中早已被“冈拉梅朵”这个名字系在了一起。女人是旋律，男人是节奏。两个不同民族，不同性格，不同人生，不同梦想的一对现代男女的邂逅和结伴，交织出一部优美动人的乐章，无形中又演绎了与老一代人命运相似的寻找与错过的一幕爱情故事，《冈拉梅朵》的旋律继续
主演：吕颂贤,苏志威,汤宝如,骆英均,关映壁,杜大伟
导演：吕嘉华
简介：杀人重犯——欢姐逃狱了！一班潜伏已久、令人闻风丧胆的劫匪打算联手再度行劫！.....一连串消息使警方紧急部署追捕工作。CID李兵接到任务唯有暂时放弃跟吴辉师傅学习功夫。吴辉心里纳闷小齐和李兵两师兄弟为何同时没来练习......接获线报，警方集中大批警力布下天罗地网等待欢姐众匪的自投罗网......李兵在围捕行动中与众匪展开激烈枪战，一身手极好的劫匪从李兵手中逃脱，李兵与之交手时发现其身手似曾相识，此时乌黑的枪口已指着他的头......对手是谁？能否将欢姐伏法能否将众匪打尽？黑白间演绎人性！正邪对决即将展开
主演：内详
导演：李娴娟
简介：电影名《兵演兵》导演：李娴娟(总) 王程帆 李希强 周刚 郭谨良主演：地区：中国大陆分类：戏曲片上映：1991年1月1日纪录了中国人民解放军1990年全军业余文艺汇演的部分优秀节目，其中有南京军区的，总参、二炮、兰州军区代表队合演的唢呐三重奏《朝阳沟》选段，总后的女声独唱《唐古拉的风》，成都军区的舞蹈，北京军区齐海霞的女声独唱《兵之歌》。沈阳军区郭其富、李智敏的对口相声《接雷锋》。海军代表队的歌伴舞《山里来的水兵》，南京军区的表演唱《咱们的马连长》，总参王红涛的女声演唱《南腔北调》，广州军区的相声《文明值勤》，二炮的表演唱《我跟祖国一二一》，总后的表演唱，二炮的《电视管理员》，总参的女声二重唱，北京军区的男声二重唱，总参的独舞《工地...本台记者报道：昨天（10.22）上午，省会“征兵宣传日”活动在人民广场举行。1000多名适龄青年及家长和各界群众前来咨询今年的征兵政策和条件。省军区政委张连仁少将在活动仪式上讲话。他说，依法服兵役是《宪法》赋予每位公民的光荣义务，广大适龄青年要积极响应祖国召唤，踊跃报名应征。广大家长要以国家利益为重，舍小家、顾大家，积极支持子女参军入伍、报效祖国。市委书记、市长、市征兵工作领导小组组长吴显国表示，征兵工作是加强国防和军队建设的基础工程，必须站在加速推进社会主义现代化的历史进程，构建社会主义和谐社会，实现中华民族伟大复兴的高度，全力以赴地做好征兵工作。吴显国指出，各级政府要加强组织领导，兵役机关要充分发挥职能作用，有关部门要积极配合，为征兵工作提供强有力的组织保证。要采取多种形式，迅速掀起征兵宣传的高潮，大力营造“国防义务、人人有责”、“一人参军、全家光荣”的良好氛围，激励广大适龄青年的参军报国热情。活动之后，军地文艺工作者同台表演了舞蹈《兵演兵》等精彩的文艺节目，省、市军地领导向适龄青年发放了征兵宣传资料。
主演：雷鸣,王滨雁,方青卓,宫让,谭元元
导演：张景隆
简介：剧作家苏雨写的剧本《奋斗者》上演后，受到社会舆论的批评。他决定到生活中去调查研究，以证是非。在某法院，院长介绍他认识了审判员解稼芬，并让他以人民陪审员身份参与调解一起正在审理的离婚案。要求离婚者是中年雕塑家莫磊。莫磊的妻子叫池波，她在病床上含泪向苏雨诉说了他们家庭的变化：她和莫磊是雕塑系的同学，彼此相爱，曾发誓要以屈原的《九歌》为题材，雕塑出永留人间的艺术群像。她爱莫磊，更爱他的艺术才华，她承担起全部家务劳动，支持丈夫专心致志地进行创作。哪知莫磊成名后另寻新欢，家庭悲剧给池波带来无限的痛苦，但苏雨看到，他面前这位瘦弱的女性虽承受着不幸，却带着孩子坚强地挣扎着、奋斗着，并一心雕塑少年保护神--少司命，以实现年轻时和莫磊一起许下的诺言。苏雨还了解到第三者叫宁莉莉，是莫磊的学生和热情助手。她明知莫磊有妻子孩子，但并不认为自己的行为有什么错误，因为她对爱情有自己的观点，认为爱情不应该受什么条约和义务的约束。然而人们看到宁莉莉在她纺织的情网中很少有欢乐的时候。她忧虑地期待着莫磊，而莫磊又有难言之隐，始终没有答应她的要求，这使狂热的宁莉莉感到失望和伤心。法院的态度，道义的谴责，孩子的呼声，使他们双方陷入了痛苦的深渊。最后在解稼芬和苏雨的帮助下，尤其当池波从雕塑架上摔下，女儿因找爸爸落入湖中时，他们的感情受到强烈震动。莫磊悔悟了，带着愧疚的心情到医院看望了病中的妻子，宁莉莉终于发现此路不通，背上画夹，离开城市，走向新的生活。在审理这一案件中，苏雨本人实际上也是个被审者，因为在爱情和家庭问题上，他和莫磊在走着同一条路，所不同的只是远近而已都有了新的认识。他决心重新写一个剧本，并在家庭生活中弥补自己的过失。他意识到了一个作家的社会责任，一个丈夫对妻子、对女儿的家庭责任。他毅然否定了《奋斗者》，并陪同妻子到剧院观看了自己的新作《再塑一个我》。
主演：Alexandre,Arquillière,Jackie,Monnier,恩里克·里贝罗,Diana,Hart,雅克·贝克
导演：让·雷诺阿,Jean,Renoir
简介：Claudie, a young French woman, inherits her uncle's property in Algeria, much to the disappointment of her scheming cousins Diane and Manuel. On the ferry she meets and falls for Pierre, an idle young man who has squandered his inheritance and is on his way to beg from Christian, his rich but rough-and-ready uncle, who owns a neighbouring farm to Claudie's. Made to work on the farm by Christian as a loan condition, Pierre is soon a changed man, and proposes to Claudie. But when his Arab friend Zoubir invites the Europeans on a hunting party, Diane and Manuel see their chance to move against their cousin.
主演：松田优作,藤谷美和子,小林薰,笠智众
导演：森田芳光
简介：20世纪初的日本，毕业于东京帝国大学的长井代助（松田优作 饰）家境优渥，全然不曾为金钱烦恼。他终日周游玩乐，过着悠闲自在的高等无业游民的生活。与之相对，和长井相交多年的好友平冈常次郎（小林薰 饰）生活拮据，妻子三千代（藤谷美和子 饰）孕期患上心脏病，未出生的孩子更不幸夭折。承受巨大压力的平冈破罐破摔，流连烟花场所。生计日益紧迫的同时，夫妻情分名存实亡。三千代是长井、平冈大学时代亡友菅沼（风间杜夫 饰）的妹妹，此去经年，始终未婚的长井依然对三千代持有深深的爱慕，他同情对方的境遇，但碍于道德的束缚只能将炽烈的情感深锁心底。深爱无缘，百千心结何处搁置……本片根据夏目漱石的同名原作改编。
主演：内详
导演：居伊·德波
简介：Voice 1 (male professional announcer type) This neighborhood(1) was made for the wretched dignity of the petty bourgeoisie, for respectable occupations and intellectual tourism. The sedentary population of the upper floors was sheltered from the influences of the street. This neighborhood has remained the same. It was the strange setting of our story, where a systematic questioning of all the diversions and works of a society, a total critique of its idea of happiness, was expressed in acts.These people also scorned subjective profundity. They were interested in nothing but an adequate and concrete expression of themselves.Voice 2 (Debord, monotone) Human beings are not fully conscious of their real life - usually groping in the dark; overwhelmed by the consequences of their acts; at every moment groups and individuals find themselves confronted with results they have not wished.Voice 1 They said that oblivion was their ruling passion. They wanted to reinvent everything each day; to become the masters and possessors of their own lives.Just as one does not judge a man according to the conception he has of himself, one cannot judge such periods of transition according to their own consciousness; on the contrary, one must explain the consciousness through the contradictions of material life, through the conflict between social conditions and the forces of social production.The progress achieved in the domination of nature was not yet matched by a corresponding liberation of everyday life. Youth passed away among the various controls of resignation.Our camera has captured for you a few aspects of a provisional microsociety.The knowledge of empirical facts remains abstract and superficial as long as it is not concretized by its integration into the whole ” which alone permits the supersession of partial and abstract problems so as to arrive at their concrete essence, and implicitly at their meaning.This group was on the margins of the economy. It tended toward a role of pure consumption, and first of all the free consumption of its time. It thus found itself directly engaged in qualitative variations of everyday life but deprived of any means to intervene in them.The group ranged over a very small area. The same times brought them back to the same places. No one went to bed early. Discussion on the meaning of all this continued...Voice 2 Our life is a journey ” In the winter and the night. ” We seek our passage...�Voice 1 The abandoned literature nevertheless exerted a delaying action on new affective formulations.Voice 2 There was the fatigue and the cold of the morning in this much-traversed labyrinth, like an enigma that we had to resolve. It was a looking-glass reality through which we had to discover the potential richness of reality.On the bank of the river evening began once again; and caresses; and the importance of a world without importance. Just as the eyes have a blurred vision of many things and can see only one clearly, so the will can strive only incompletely toward diverse objects and can completely love only one at a time.Voice 3 (young girl) No one counted on the future. It would never be possible to be together later, or anywhere else. There would never be a greater freedom.Voice 1 The refusal of time and of growing old automatically limited encounters in this narrow, contingent zone, where what was lacking was felt as irreparable. The extreme precariousness of the means of getting by without working was at the root of this impatience which made excesses necessary and breaks definitive.Voice 2 One never really contests an organization of existence without contesting all of that organization's forms of language.Voice 1 When freedom is practiced in a closed circle, it fades into a dream, becomes a mere representation of itself. The ambiance of play is by nature unstable. At any moment ordinary life� can prevail once again. The geographical limitation of play is even more striking than its temporal limitation. Any game takes place within the contours of its spatial domain. Around the neighborhood, around its fleeting and threatened immobility, stretched a half-known city where people met only by chance, losing their way forever.The girls who found their way there, because they were legally under the control of their families until the age of eighteen, were often recaptured by the defenders of that detestable institution. They were generally confined under the guard of those creatures who among all the bad products of a bad society are the most ugly and repugnant nuns.What usually makes documentaries so easy to understand is the arbitrary limitation of their subject matter. They describe the atomization of social functions and the isolation of their products. One can, in contrast, envisage the entire complexity of a moment which is not resolved into a work, a moment whose movement indissolubly contains facts and values and whose meaning does not yet appear. The subject matter of the documentary would then be this confused totality.Voice 2 The era had arrived at a level of knowledge and technical means that made possible, and increasingly necessary, a direct construction of all aspects of a liberated affective and practical existence. The appearance of these superior means of action, still unused because of the delays in the project of liquidating the commodity economy, had already condemned aesthetic activity, whose ambitions and powers were both outdated. The decay of art and of all the values of former mores had formed our sociological background. The ruling class's monopoly over the instruments we needed to control in order to realize the collective art of our time had excluded us from a cultural production officially devoted to illustrating and repeating the past. An art film on this generation can only be a film on its absence of real creations.Everyone unthinkingly followed the paths learned once and for all, to their work and their home, to their predictable future. For them duty had already become a habit, and habit a duty. They did not see the deficiency of their city. They thought the deficiency of their life was natural. We wanted to break out of this conditioning, in quest of another use of the urban landscape, in quest of new passions. The atmosphere of a few places gave us intimations of the future powers of an architecture it would be necessary to create to be the support and framework for less mediocre games. We could expect nothing of anything we had not ourselves altered. The urban environment proclaimed the orders and tastes of the ruling society just as violently as the newspapers. It is man who makes the unity of the world, but man has extended himself everywhere. People can see nothing around them that is not their own image; everything speaks to them of themselves. Their very landscape is alive. There were obstacles everywhere. There was a cohesion in the obstacles of all types. They maintained the coherent reign of poverty. Everything being connected, it was necessary to change everything by a unitary struggle, or nothing. It was necessary to link up with the masses, but we were surrounded by sleep.Voice 3 The dictatorship of the proletariat is a desperate struggle, bloody and bloodless, violent and peaceful, military and economic, educational and administrative, against the forces and traditions of the old world.Voice 1 In this country it is once again the men of order who have rebelled. They have reinforced their power. They have been able to aggravate the grotesqueness of the ruling conditions according to their will. They have embellished their system with the funereal ceremonies of the past.Voice 2 Years, like a single instant prolonged to this point, come to an end.Voice 1 What was directly lived reappears frozen in the distance, fit into the tastes and illusions of an era, carried away with it.Voice 2 The appearance of events that we have not made, that others have made against us, now obliges us to be aware of the passage of time, its results, the transformation of our own desires into events. What differentiates the past from the present is precisely its out-of-reach objectivity; there is no more should-be; being is so consumed that it has ceased to exist. The details are already lost in the dust of time. Who was afraid of life, afraid of the night, afraid of being taken, afraid of being keptVoice 3 What should be abolished continues, and we continue to wear away with it. We are engulfed. We are separated. The years pass and we haven't changed anything.Voice 2 Once again morning in the same streets. Once again the fatigue of so many similarly passed nights. It is a walk that has lasted a long time.Voice 1 Really hard to drink more.Voice 2 Of course one might make a film of it. But even if such a film succeeds in being as fundamentally disconnected and unsatisfying as the reality it deals with, it will never be more than a re-creation ” poor and false like this botched traveling shot.Voice 3 There are now people who pride themselves on being authors of films, as others were authors of novels. They are even more backward than the novelists because they are unaware of the decomposition and exhaustion of individual expression in our time, ignorant of the end of the arts of passivity. They are praised for their sincerity since they dramatize, with more personal depth, the conventions of which their life consists. There is talk of the liberation of the cinema. But what does it matter to us if one more art is liberated through which Tom, Dick or Harry can joyously express their slavish sentiments The only interesting venture is the liberation of everyday life, not only in the perspectives of history but for us and right away. This entails the withering away of alienated forms of communication. The cinema, too, has to be destroyed.Voice 2 In the final analysis, stars are created by the need we have for them, and not by their talent or lack of talent or even by the film industry or advertising. Miserable need, dismal, anonymous life that would like to expand itself to the dimensions of cinema life. The imaginary life on the screen is the product of this real need. The star is the projection of this need.The images of the advertisements during the intermissions are more suited than any others for evoking an intermission of life.To really describe this era it would no doubt be necessary to show many other things. But what would be the pointBetter to grasp the totality of what has been done and what remains to be done than to add more ruins to the old world of the spectacle and of memories.1. This film, which evokes the lettrist experiences at the origin of the situationist movement, opens with shots of the Paris district frequented by the lettrists in the early 1950s.
主演：狄龙,梁朝伟,梁家辉,金燕玲,秦沛,黄斌,林保怡,江道海
导演：尔冬升
简介：一个平静的下午，神色紧张的青年阿小（梁朝伟 饰）与老妖走进了一家银行，他们为高利贷所迫，计划打劫还债，然而老妖突然病发，阿小慌忙之下泄露歹意，不得不仓促上阵，打伤警卫，将银行职员与顾客扣押为人质。岂料在人质中，居然有一名警方重大通缉犯古何阳（狄龙 饰），古何阳曾击杀警察，为警方所恨之入骨，他本欲逃离港岛，眼下却不得不从阿小手中控制了银行的局面，闻讯赶来的警察们将银行团团包围，古何阳的老对手陈警官（梁家辉 饰）到场，试图与古何阳谈判换得和平收场，但警队众人只想将古击毙。被困的古何阳执意要求带狱中的女友（金燕玲 饰）一同逃走，但是女友真的出现时，紧绷的情势迅速发生了变化……本片翻拍自美国影片《热天午后》。
主演：杨烁,蒋欣,李依晓,王自健,程煜,成泰燊,刘孜,严晓频,孙强,丁子峻,周放,许潇晗,令卓,高姝瑶,吴其江,王鑫,赵楚纶,程实,林雪飘,柳禹安,郭子瑜,李浩轩,宋美儿,克拉拉,黄渲文
导演：董富来,柏麟
简介：江南市外资数据企业一场资本游戏，打碎了超级码农罗承宇科技登顶的梦想。他不忍外资企业技术垄断和利益盘剥，跟母公司空降高管楚安歌、麦森发生矛盾。罗承宇不顾女友姜逸菲反对，带队集体请辞，自主创业。创业路上，他遭遇商业对手围堵、兄弟、女友背叛，跟宿敌楚安歌相杀、相知、相爱，在江南市主政官员、爱国电商巨头的支持下，携手破技术垄断，冲破商战重围，打造国际大数据企业，铸造智慧梦想之城，最终事业、爱情和家国情怀的梦想成真
主演：芦那堇,忍成修吾,廣田朋菜,梅田誠弘
导演：宫崎大祐
简介：『大和（カリフォルニア）』『TOURISM』が国内外の映画祭で高い評価を得ている宮崎大祐監督によるスリラードラマ。大阪を舞台に、一夜を共にした男によってネット上に情事の動画を拡散されてしまった女性が味わうことになる恐怖や苦悩を映し出す。どこかディープな異世界にもリアルな現実世界にも感じさせるモノクロームの映像が印象的。女優になる夢に破れ、東京から実家のある大阪に戻った29歳の愛。それでも夢を追いバイトをしながら演技のワークショップに通う中、彼女は偶然出会った男と一夜限りの関係を持つ。数日後、愛はその夜の情事を撮影した動画がネットに流出していることに気づく。
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